In Zoë Kravitz’s Blink Twice, a Striking Red Hacienda Makes for a Tech Bro’s Perfect—Too Perfect?—Private Island Paradise - David Watkins Designs
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In Zoë Kravitz’s Blink Twice, a Striking Red Hacienda Makes for a Tech Bro’s Perfect—Too Perfect?—Private Island Paradise

In Zoë Kravitz’s Blink Twice, a Striking Red Hacienda Makes for a Tech Bro’s Perfect—Too Perfect?—Private Island Paradise

Zoë Kravitz’s directorial debut, the psychological thriller Blink Twice (in theaters this Friday), takes place almost entirely at one location: a private island owned by Slater King (portrayed by Channing Tatum), a supposedly reformed billionaire bad boy who’s still in the midst of rehabilitating his image. In reality, it’s Hacienda Temozon Sur, a 17th-century estate turned hotel in Mexico’s Yucatán region.

After a brief flirtation with King, Blink Twice’s main character Frida (Naomi Ackie) accepts the controversial tech mogul’s invitation to tag along on a group trip to the island. The picture-perfect romantic daydream unravels, revealing a nightmarish reality as the days wear on. “At first when I was writing the script I was picturing—because Slater is a tech billionaire—something a lot more modern,” Kravitz tells AD of the film, which she directed and co-wrote with E.T. Feigenbaum. “Then as we started to look at properties, I was very intrigued by having the backdrop of colonialism and kind of wanting the presence of the cycle of oppression as the backdrop of the story.”

“We considered painting [the building] to make a bold statement, because that’s kind of what our character [King] would do,” Bonelli explains. “At one point, we even considered painting it pink and black…but somehow it didn’t work.”

Photo: Courtesy of Amazon MGM Studios

Production designer Roberto Bonelli interpreted the hacienda setting as a choice that aligned with King’s desire to edit his image “from being a young yuppie into somebody who is more respected, more [culturally conscious], more cool, more likable,” he explains. A modern mansion might communicate the character’s extreme wealth, but Bonelli figured a hacienda would indicate King’s hope to be seen as more evolved and worldly—even if, to Kravitz’s point about colonialism, it’s all a façade.

One of the work areas of Hacienda Temozon Sur was converted into a dining room for the film.

Photo: Courtesy of Amazon MGM Studios